I’ve been engaged in other kinds of
writing, alas; but I couldn’t pass up this guest post (if you will). In betwixt all the headlines about Scalia’s
death, I was reading Martz’s The Poetry
of Meditation, and stumbled on this poem which somehow I missed when
reading Herbert’s complete works last spring.
It’s a timely Lenten reminder, like Scalia’s own death, of the Ars Moriendi—and a lovely illustration
of how Herbert’s flavor of metaphysical conceit suited his religious impulses.
Death, thou wast once an uncouth hideous thing,
Nothing
but bones,
The sad effect of sadder
groans:
Thy mouth was open, but thou couldst not sing.
For we considered thee as at some six
Or
ten years hence,
After the loss of life
and sense,
Flesh being turned to dust, and bones to sticks.
We looked on this side of thee, shooting short;
Where we did find
The shells of fledge
souls left behind,
Dry dust, which sheds no tears, but may extort.
But since our Savior’s death did put some blood
Into
thy face,
Thou art grown fair and
full of grace,
Much in request, much sought for as a good.
For we do now behold thee gay and glad,
As
at Doomsday;
When souls shall wear
their new array,
And all thy bones with beauty shall be clad.
Therefore we can go die as sleep, and trust
Half
that we have
Unto an honest faithful
grave;
Making our pillows either down, or dust.
—George
Herbert.
No, that’s not George
Herbert—I couldn’t
find a death mask for
him. But kudos if you
can recognize his
near-contemporary.
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